ANOTHER BLACK AMERICAN WOMAN FAILS A FOREIGN LOVE

Black women are the most disrespected and unprotected iconic Malcolm X quote as been misused and reframed in order to shame Black men. Black Americans suffered as a whole and a part of the gender lines. All be it that the black woman has unique circumstances, she must face on a daily basis. On the opposite end of the scale, the Black man faces his own unique challenges. In short, trying to out victim each other is a losing battle, and shaming the black man to strengthen your arguments only weakens your achievements. Because we are seen as one people like it are not. What affects Black man affects the Black woman universally.

MODERN MEN MOVING FAR AWAY FROM THE MATRIX

#BlackManosphere #Educated Lames #Dennis Spurling

Entitled Women and the Sons they raise

HATERS are like Cock Roaches they come out after the lights go out. Time for raid. Never forget #UncleD is a Legend.

This video is made for information purposes only.

The late Tina Turner has been exposed for historically lying on her legendary husband, Ike Turner.

@DennisSpurling @JudgeJoeBrownNews @basedmuslim9645 @KendraDLive

loss Affirmative Action in ivy league admissions? Not my problem

NO MORE SOCIAL CONTRACT: MARRIED MEN LEAVE WIFE FOR NEW LIFE

Three Act Structure Explained — writer and story expert K.M. Weiland breaks down three-act structure and how it works using Jurassic Park.

What is the Three Act Structure? ►► https://bit.ly/wi-3a
Watch the Full Interview with K.M. Weiland ►► https://bit.ly/km-in
StudioBinder Blog ►► http://bit.ly/sb-bl

K.M. Weiland resources:
Helping Writers Become Authors (Blog) ►► https://bit.ly/km-bl
K.M Weilan (YouTube) ►► https://bit.ly/km-yo
Structuring Your Novel (Book) ►► https://bit.ly/km-sn
Writing Archetypal Character Arcs (New Book) ►► https://bit.ly/km-ac

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Chapters:
00:00 - Introduction to the Three Act Structure
00:49 - Why the Three Act Structure Matters
03:24 - Part 1: The Hook
06:18 - Part 2: Inciting Event
08:16 - Part 3: 1st Plot Point
11:16 - Part 4: 1st Pinch Point
14:36 - Part 5: Midpoint
17:45 - Part 6: 2nd Pinch Point
20:11 - Part 7: 3rd Plot Point
22:54 - Part 8: Climax
25:56 - Takeaways

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THREE-ACT STRUCTURE EXPLAINED

If you’re a writer, hoping to be a writer or even a casual movie-goer, you’ve probably heard of three-act structure. More than simply “beginning, middle, and end,” three-act structure is dominant in Western storytelling. And in this video, we sat down with writer and story expert K.M. Weiland as she breaks down the eight parts of three-act structure, how they work, and what they aim to accomplish. To do this, Weiland dissects one of the best-structured movies of all time — Steven Spielberg’s Jurassic Park, written by David Koepp based on a novel by Michael Crichton.

WHAT IS THREE-ACT STRUCTURE

While the concept of a three-act structure is fairly recent, stories have followed this pattern for centuries. Act One introduces us to the characters, their world, and the major conflict. Act Two sees the characters set out to resolve that conflict and attain whatever goals were established in the previous act. Act Three contains the final test or confrontation that will decide the outcome of this pursuit with either success, failure, or something in between. In a nutshell, this is the structure that most stories, novels, films, TV shows, or any other narrative medium follow.

DOES THREE-ACT STRUCTURE WORK?

Yes, it does, but not for every story. Shakespeare often constructed his plays in five acts. The three-act structure is ubiquitous in Western storytelling and, therefore, has, in some circles, garnered a negative reputation as being creatively restrictive. But as Weiland explains, story structure of any kind doesn’t preclude creativity — it is merely the container, and what is inside (the characters, the plot, the themes, etc.) is the real gift.

Learning three-act structure is a way to grasp the fundamentals of storytelling. That way, when bending or breaking those rules becomes necessary, it can be done without sabotaging a story’s chances of reaching and connecting with the audience.


#FilmTheory #VideoEssay #Filmmaking

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♬ SONGS USED:

"Fratres (Version for Cello & Piano)" - Avro Pärt
"A Battle in the East" - Rhythm Scott
"Last But Not Least (Instrumental)" - Chelsea McGough
"All Star" - ANBR
"Journey To The Island" - John Williams
"War Banner (Instrumental)" - Cody Martin
"Incident At Isla Nublar" - John Williams
"The Princess Appears" - John Williams
"Shining Star" - Earth, Wind & Fire
"The Hands Dealt" - Michael Giacchino
"Theme From Jurassic Park" - Michael Giacchino
"1986" - Angel Salazar
"Three Is Company" - Howard Shore
"Welcome To Jurassic Park" - John Williams
"British News Team" - Lance Conrad
"Glass" - Claudio Laucci
"T-Rex Rescue & Finale" - John Williams
"The Raptor Attack" - John Williams
"Crystal Clear (Instrumental)" - Tiko Tiko
"Dennis Steals The Embryo" - John Williams
"Terminal' - Stanley Gurvich
"Many Mothers" - Junkie XL
"High-Wire Stunts" - John Williams
"Merge" - Theatre of Delays
"Forrest Gump Suite" - Alan Silvestri
"State Lines (Instrumental)" - Aaron Kellim

Music by Artlist ► https://utm.io/umJx
Music by Artgrid ► https://utm.io/umJy
Music by Soundstripe ► http://bit.ly/2IXwomF
Music by MusicBed ► http://bit.ly/2Fnz9Zq

─────────────────────

SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0

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Anatomy of a Great Scene — dissecting the four main elements of a great scene, including conflict, plot function, character development, and blocking & staging.

How to Write a Great Scene ►► https://bit.ly/an-gs
StudioBinder Blog ►► http://bit.ly/sb-bl

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Chapters:
00:00 - Introduction to Great Scenes
00:56 - What Makes a Scene Great?
03:08 - Chapter 1: Conflict
08:21 - Chapter 2: Character Development
12:42 - Chapter 3: Plot Function
16:25 - Chapter 4: Blocking & Staging
20:18 - Deep Dive: The Silence of the Lambs
25:03 - Takeaways

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ANATOMY OF A GREAT SCENE

What makes a great movie scene? While no two scenes are the same, there are consistent elements of a great scene. In this video, we’re going to take a scalpel to some of the best scenes in film history to understand the anatomy of a great scene. These include conflict, character development, plot function, and blocking & staging. A great scene doesn’t need all four of these elements — the recipe for each scene is unique and variant. Let’s look at them individually.

Without conflict, there would be no storytelling. Through the course of a single story, the protagonist must encounter conflict and obstacles in the way of their goal. At a scene level, the conflict can be minimal as long as their is sufficient conflict overall. And there are different types that can be employed like physical, verbal, internal, or environmental conflict.

A great scene should also be designed to serve the character along their arc. An individual scene can function as a tiny nudge in that direction or a full-on shove — but without some effect on the character, you might have to question if you need the scene at all.

The same criteria applies to how the scene functions on a plot level. Does the scene move the plot forward (and in the right direction) or does it slow the pacing and feel out of place? It’s one thing to write a great scene on its own but if it doesn’t add to the storytelling, it’s best to cut it.

Finally, it is the director’s responsibility to turn these written elements into a functional scene with blocking and staging. Is the camera static or would the scene benefit from a slow push in? Is there a way to use the character’s movements in the scene to enhance the conflict or character development?

The combination and execution of these elements is completely flexible and subjective. But when the elements of a great scene come together, there’s nothing better.


#FilmTheory #VideoEssay #Filmmaking

─────────────────────

♬ SONGS USED:

“Bohemian Rhapsody” by Queen
“Twin Peaks Theme” by Angelo Badalamenti
“Night Piece for Saxophone and Orchestra” by Bernard Herrmann
“Blood Trails” by Carter Burwell
“The Verdict” by Ennio Morricone
“Father Son” by Makeup & Vanity Set
“Ghostbusters” by Ray Parker Jr.
“Mystery Math” by Danny Elfman
“Water, Ocean” by by Jung Jae Il
“The Braying Mule” by Ennio Morricone
“Treat Her Right” by Roy Head
“Hinting” by The Kitimangoes
“Heat” by Kronos Quartet
“Adagio Per Archi E Organo in Sol Minore” by David Parry
“Los Paramos” by Makeup & Vanity Set
“Jack’s Smirking Revenge” by The Dust Brothers
“Shallow” by Lady Gaga and Bradley Cooper
“Tsiolkovskij” by Makeup & Vanity Set
“The Searchers Soundtrack Suite” by Max Steine
“Toys” by Makeup & Vanity Set
“Citizen Kane Suite” by Bernard Herrmann
“Dead Already” by Thomas Newman
“Singin’ In The Rain” by Gene Kelly
“Bulletin Board” by Howard Shore
“Visit to Lecte”r by Howard Shore
“You Look Like A Rube” by Howard Shore
“A Neverending Beam of Light “by Makeup & Vanity Set
“Tangra” by Makeup & Vanity Set

Music by Artlist ► https://utm.io/umJx
Music by Artgrid ► https://utm.io/umJy
Music by Soundstripe ► http://bit.ly/2IXwomF
Music by MusicBed ► http://bit.ly/2Fnz9Zq

─────────────────────

SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0

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LEAVE DEAZ ROTTEN UNGRATEFUL HOAZ ALONE

FREAKNIK WAS ONLY ONE STOP OF MANY FOR DEAZ OLD HOAZ

Ultimate Guide to the Split Screen in film — a history of the technique, the best split screens in film, and the various ways they can be used to help tell a visual story.

The Ultimate Guide to Split Screens ►► https://bit.ly/ug-sp
StudioBinder Blog ►► http://bit.ly/sb-bl

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Chapters:
00:00 - Introduction to Split Screen Shots in Film
00:50 - Definition and Types
02:32 - Chapter 1: Multiple Perspectives
06:11 - Chapter 2: Character Relationships
08:53 - Chapter 3: Creative Examples
13:19 - Takeaways

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ULTIMATE GUIDE TO THE SPLIT SCREEN

The split screen in film may seem like a modern invention. But, in fact, it goes back to the earliest days of cinema. For over a century, filmmakers have used the split screen effect for many purposes — some purely for stylish imagery, some for visual storytelling that would otherwise be impossible. In this video on the split screen, we’ll cover that history, some of the most creative examples, and how you can employ the same techniques in your next project.

WHAT IS A SPLIT SCREEN

In general, a split screen is any combination of shots presented simultaneously. We divide these into two categories: visible and invisible split screens. The visible split screen is what most people are familiar with, which involves a clear separation between the images with no intention of presenting them as a “single shot.” Invisible split screens, however, are meant to go unseen. This is done when an actor plays multiple roles in the same shot, or when filmmakers like David Fincher and Wes Anderson combine different takes of each character in a single shot.

HOW TO USE SPLIT SCREEN

We’ve identified a few uses for the split screen in film: to convey multiple perspectives, to create relationships between characters, to give montages visual flair, or to literally extend the frame like with systems like Cinerama. We can also see that a split diopter lens can be used to create a similar “split screen effect,” where the frame is divided not by a line but by two distinct focal planes.

In all of these use cases, the split screen expands the visual information and storytelling opportunities beyond what a single image can do.


#FilmTheory #VideoEssay #Filmmaking

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♬ SONGS USED:

"Never Hear Surf Music Again" - Free Blood
"Double Espresso" - Francesco D'Andrea
"Yes I Am (Instrumental)" - Zach Sorgen
"In Motion" - Trent Reznor, Atticus Ross
"Obituary" - Alexandre Desplat
"A Battle in the East" - Rhythm Scott
"All I Need" - Radiohead
"Playground Love (Vibraphone Version)" - Air
"Bucket of Blood" - Pino Donaggio
"Hero" - Regina Spektor
"Animātiō " - Mike Steele
"Dojo Tradition (Instrumental)" - In This World
"Ghosts of Things to Come" - Clint Mansell, Kronos Quartet
"1986" - Angel Salazar
"A New Morning" - Portl
"Main Title (From How the West Was Won (1962))" - Alfred Newman
"Comfort of Strangers (Instrumental)" - Mike Figgis
"Olga's Destruction (Volk tape)" - Thom Yorke
"Blurry (Instrumental)" - Curtis Cole
"Sugar Water" - Cibo Matto

Music by Artlist ► https://utm.io/umJx
Music by Artgrid ► https://utm.io/umJy
Music by Soundstripe ► http://bit.ly/2IXwomF
Music by MusicBed ► http://bit.ly/2Fnz9Zq

─────────────────────

SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0

Looking for production management solution for your film? Try StudioBinder for FREE today: https://studiobinder.com/pricing

— Join us on Social Media! —

Instagram ►► https://www.instagram.com/studiobinder
Facebook ►► https://www.facebook.com/studiobinderapp
Twitter ►► https://www.twitter.com/studiobinder

DEATH OF BLACK AMERICAN CULTURE

Lisa Swyer lived her entire life as a white woman until a DNA test shattered her sense of identity. In her early 40s, the kit revealed that she had African roots, which ultimately led to her mother to privately admitting that she had an affair with a Black man. Lisa joins our episode titled “My Family Secret” to talk about how her life has changed since discovering the truth.

Subscribe to Tamron Hall Show: http://bit.ly/2QAZSuD
 
FIND YOUR TIME AND CHANNEL:
https://www.tamronhallshow.com
[Put in your zip code in the top portion of the website]
 
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JOIN OUR SHOW:
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From the deeply moving to the purely fun, “Tamron Hall” is a daily destination for all things topical and a platform for viewers to connect with the people who are shaping our world through meaningful, engaging, and entertaining conversations. As a new mom, a newlywed, and a survivor who is proving you can accomplish anything at any age, Tamron Hall brings a refreshing, relatable, unpredictable, and unstoppable voice to television.
 
Broadcast from New York City featuring a dynamic mix of live and taped shows, “Tamron Hall” airs across the country in national syndication.

The Tracking Shot in Film — the ultimate guide to this very popular and useful camera movement, including considerations for lenses, speed, direction, stabilizers, editing, and more.

The Ultimate Guide to the Tracking Shots ►► https://bit.ly/ug-ts
StudioBinder Blog ►► http://bit.ly/sb-bl

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Chapters:
00:00 - Introduction to Tracking Shots
00:54 - What is a Tracking Shot?
02:39 - Chapter 1: Types of Movement
07:30 - Chapter 2: Frame & Angle
11:47 - Chapter 3: Blocking & Staging
14:59 - Chapter 4: Editing & Duration
16:55 - Takeaways

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ULTIMATE GUIDE TO THE TRACKING SHOT

There are many types of camera movement in cinema, but one in particular is perhaps the most common: the tracking shot. In this video, we will explore the art of the tracking shot in film, including the many considerations involved and how this camera movement adds to visual storytelling.

WHAT IS A TRACKING SHOT

A tracking shot is any shot in which a camera independently follows one or more moving characters. This excludes similar shots like a pan or tilt where the camera is otherwise stationary. A camera moving through a location with multiple characters also doesn’t qualify because we aren’t specifically following anyone.

HOW TO DO A TRACKING SHOT

There are many factors to consider when filming a tracking shot. These include the lens, depth of field, speed of movement, direction, what sort of stabilizer to use, framing and camera angle, blocking and staging, and editing.

Wide lenses tend to amplify the speed of a tracking shot, while a telephoto lens can compress the foreground, middle ground, and background to create layers of movement. A shallow depth of field can isolate your subject.

Speed is also a consideration — if you want to generate suspense (go slow), if you want to add energy (go fast). This also determines which direction you want the camera to track the character. Following them from behind might suggest tension or mystery while leading them from the front can create a more powerful or confident perspective.

There are many types of stabilization that each have an effect on the tracking shot. For example, a smooth dolly shot or Steadicam tracking shot vs. a frenetic handheld camera. Drones have recently begun expanding the scope and range of the tracking shot.

Do you want a more neutral tracking shot, try framing the subject in a medium shot. For a more intense or claustrophobic tracking shot effect, tighten the frame into a close-up. Finally, the question becomes, how long do you sustain the tracking shot? Should the shot last for over two minutes, or should you cut between multiple tracking shots instead?

There’s a reason the tracking shot in film is so popular — it can accomplish so many moods and energies. And once you understand how versatile the tracking shot is, you’ll be hooked.


#FilmTheory #VideoEssay #Filmmaking

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♬ SONGS USED:

“All Along the Watchtower” by Jimi Hendrix
“Battle Without Honor or Humanity” by Hotel
“Don’t Let Me Be Misunderstood” by Santa Esmeralda
“HWY 104 Surveying Sands by Makeup and Vanity Set
“Los Paramos by Makeup and Vanity Set
“Tangra by Makeup and Vanity Set
“Kidnappers Lair by Alexandre Desplat
“Lonely Summertime by The Rocking Berries
“Quantum II by Makeup and Vanity Set
“Keep Moving by Makeup and Vanity Set
“Crush by Makeup and Vanity Set
“Nonplus by Makeup and Vanity Set
“The Pursuit of the Falcon by John Williams
“Future Markets by Johnny Greenwood
“Tannhauser Gate by Makeup and Vanity Set
“Toys” by Makeup and Vanity Set

Music by Artlist ► https://utm.io/umJx
Music by Artgrid ► https://utm.io/umJy
Music by Soundstripe ► http://bit.ly/2IXwomF
Music by MusicBed ► http://bit.ly/2Fnz9Zq

─────────────────────

SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0

Looking for production management solution for your film? Try StudioBinder for FREE today: https://studiobinder.com/pricing

— Join us on Social Media! —

Instagram ►► https://www.instagram.com/studiobinder
Facebook ►► https://www.facebook.com/studiobinderapp
Twitter ►► https://www.twitter.com/studiobinder

#film-theory, #video-essay, #filmmaker