Thanks to Dr. Gina Paige and African Ancestry, the Ebro in the Morning team was able to find out the lineage of their heritage! Watch as Ebro, Laura Stylez, Rosenberg, Shani Kulture, Kast One, and even Juanyto find out the results LIVE!

#EbrointheMorning #Hot97 #AfricanAncestry

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Happy Juneteenth!!!!
I have been delaying making this video but here it is!!! Let's talk about DNA/Ancestry and who is the best option out the bunch!
#africanancestry #23andme #ancestrydna
0:00 Intro Song
0:27- Intro
2:58- Price of DNA Kits
7:29- Ancestry and 23 & me DNA Results
12:45- African Ancestry Results
16:39- Thoughts on Additional Services
17:58- Which Company is Best in My Opinion

The Roots Of...Erykah Badu discovers her African Ancestry for Okayafrica TV.
Full story: http://bit.ly/ScQytA

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Videographers:
Lance Steagall, Jake Remington, and Kevin Ornelas
(Collabo! http://collabonyc.com/)
Editor: Jake Remington

All music: Sam Champion

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Ancestry DNA results are in. Join me as we break the results down. #africandiaspora #ancestrydna #asebughana #westafrica #ghana #Cameroon #Nigeria #Togo #Benin #gambia #Senegal #Congo #mali #Kenya #Tanzania #Mozambique #southafrica #rwanda #Burundi #Zambia #afroperuvian #afrobolivian #Burkinafaso #charlottenc #SouthCarolina #Florida #Georgia #Tennessee #virgina #Ohio #USA

Join me as I learn about my maternal lineage through African Ancestry!

Chapter Information:
0:00 - Intro
1:25 - DNA History
2:04 - African Ancestry Timeline
3:28 - My Results & My Reaction
9:17 - My Family's Connection

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MS in the Hispanic/Latinx Community

Get Out pushes the limits of horror, but how? Learn what goes into each frame and how to make a shot list. ►► http://bit.ly/2BOijTz

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Christopher Nolan ► http://bit.ly/2mM4C1t
Nicolas Winding Refn ► http://bit.ly/2z5FJiY
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The Director's Chair: How to Write and Direct a Movie like Christopher Nolan ►► http://bit.ly/2JNbfLN

Understanding how Christopher Nolan movies work so well is to understand more than cinema or the ability to film in Imax. You’ve watched Interstellar, Insomnia, Dunkirk, and The Dark Knight Trilogy (Batman), and love the cinematic storytelling from this prolific director and filmmaker in general. It doesn’t hurt when you have a Hans Zimmer score too. But what's it like actually being in the Director's chair?

Christopher Nolan movies like Memento and The Prestige reminds us, filmmakers, what cinema is all about, and film directing and editing has rarely been so good. Maybe you think best Christopher Nolan movies have Tom Hardy or Christian Bale in them - but the Dark Knight Rises movie had both… so that sort of disproves that theory.

Directing films and cinema like Christopher Nolan takes years or practice and research into filmmaking. That’s why Christopher Nolan movies can take you on a deep journey, and this video essay will show you how he keeps everything consistent in his films.

If you love Christopher Nolan movies, don’t write another page or direct another scene until you’ve seen our video essay. You don’t need a big Imax cinema to be able to make a film like Christopher Nolan. All you need is a good mind and hard work.

Christopher Nolan editing techniques also come into play, so learn how he directs a movie that will eventually be cut together in a somewhat unconventional manner.

The end result: You will know how to direct a movie like Christopher Nolan, and perhaps you will direct the next Dark Knight trilogy or Interstellar.

Enter the Director's chair to find out exactly how Christopher Nolan directs and edits his movies.

#filmmaking #christophernolan #thedarkknight

—
Original Christopher Nolan Interviews & Quotes:

• Christopher Nolan: Self-Taught Filmmaker: http://bit.ly/2MffYYo
• BAFTA Guru: Christopher Nolan on Directing: http://bit.ly/2MmfiAO
• Christopher Nolan - How to Be a Filmmaker: http://bit.ly/2MmfwIa
• Jack Howard: I Love Christopher Nolan: http://bit.ly/2Mc7JMS
• Chris Nolan Talks BATMAN BEGINS on The Treatment: http://bit.ly/2M9mcZS
• VICE: Christopher Nolan on "Following" - Conversations Inside The Criterion Collection: http://bit.ly/2MbCRMA
• 18-Minute Analysis By Christopher Nolan On Story & Construction Of Memento: http://bit.ly/2Mbf7bb
• Eyes on Cinema: 24-Minute documentary on Christopher Nolan's Memento (2000): http://bit.ly/2McoO9z
• BBC Newsnight: Christopher Nolan: The full interview: http://bit.ly/2MaQ8F2
• Memento - Interview with Christopher Nolan (2004): http://bit.ly/2MbfjHr
• Christopher Nolan, Al Pacino - Insomnia Interview (Part 1 of 2): http://bit.ly/2M9Eg6d
• Christopher Nolan, Al Pacino - Insomnia Interview (Part 2 of 2): http://bit.ly/2Mm0qC6
• Christopher Nolan on Dunkirk | Interview Special | Film4: http://bit.ly/2Md9Z6D

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Writing Subtext in Screenplays — covering three key ways a screenwriter can add a secondary and unspoken meaning in their scripts, including subtext in dialogue, actions, and performances.

What is Subtext? ►► https://bit.ly/pa-sx
StudioBinder Screenwriting Software ►► http://bit.ly/sb-sw

─────────────────────

Chapters:
00:00 - Intro — What is Subtext?
01:27 - Subtext Definition and History
04:57 - Technique 1: Embedding Subtext in Dialogue
11:32 - Technique 2: Writing Subtext through Actions
14:42 - Technique 3: Allowing Subtext in the Performance
17:34 - Scene Study: Subtext in Sound of Metal
20:56 - Final Takeaways

─────────────────────

WRITING SUBTEXT IN SCREENPLAYS

In storytelling, as in life, what we say and do is only a fraction of what we really mean. That unspoken or secondary meaning is called subtext, and it is a skill many writers seek to master. In this video, we will cover the mechanics of how to write good subtext in a screenplay, including subtext examples in dialogue, action/description, and the actors’ performances.

WHAT IS SUBTEXT

This idea of “subtext” can be traced back to a legend in the theatre world — Konstantin Stanislavski. As a lesson for actors, he had this to say about subtext: “Keep in mind that a person says only ten percent of what lies in their head, ninety percent remains unspoken.” It’s an insightful truth — think about how much of what’s in your head actually gets expressed. And for writers to capture “truth” in dialogue, character action, and behavior, logic suggests that their screenplays should leave most things “unsaid.”

Another way to understand and define subtext is to explain the relationship between text and context. Text is the surface-level meaning of our words and actions. It is the words we actually say or the actions we take. Context is the circumstances around the text — the culmination of information and events that have led up to the text. Subtext, then, is created by combining the text and context. For example, let’s say the text is someone blowing out birthday candles. But in Scene 1, the context has the character surrounded by friends and family, while Scene 2 has them completely alone. The same text, two different contexts, and two very different subtexts.

HOW TO WRITE SUBTEXT

Subtext in dialogue is perhaps the most obvious way to reveal what’s beneath the surface. When Don Corleone says, “I’ll make him an offer he can’t refuse,” what he really means (the subtext) is, “If he doesn’t do what I’m asking him to do, I will kill him.” Leaving that direct meaning unsaid is far more powerful and menacing.

Beyond dialogue, subtext can also be written into a character’s action. In Pulp Fiction, Jules takes a massive bite out of Brett’s hamburger. Without saying it, this simple act creates a clear message: Jules has all the power.

Finally, the actor’s performance is a more nuanced but huge opportunity for subtext. With clues the writer provides in the script, the actor can use body language to suggest what lies beneath the surface. In Moonlight, Black stares at the door, debating whether to escape another possible heartbreak.

Writing subtext in screenplays is not easy. The temptation writers face is to put everything onto the page as text but, going back to Stanislavski, it’s better to leave things unsaid.


#FilmTheory #VideoEssay #Filmmaking

─────────────────────

♬ SONGS USED:

"Hey Pluto" - Native Rebels
"Exit Strategy" - Alternate Endings
"Help Me" - Lost Ghosts
"Only One Spider-Man" - Daniel Pemberton
"Sincerely" - The Moonglows
"The Alien" - Annihilation OST
"Casino" - Mathaus Passion
"Dust My Broom" - Elmore James
"Track 1" - The Cell Soundtrack
"Everything Thing in its Right Place" - Radiohead
"From Rusholme with Love" - Mint Royale
"Svefn-G-Englar" - Sigur Ros
"Hang me, Oh Hang Me" - Oscar Isaac
"What Have We Done to Each Other" - Trent Reznor & Atticus Ross
"Consummation" - Trent Reznor & Atticus Ross
"The Big Smoke" - Audiomachine
"Gehenna" - 1917 OST
"Prelude" - Bernard Herrmann
"Symphony No.3 Passacaglia" - Allegro Moderato
"Old Skool (Instrumental)" - DaMarcus Van Buren

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Music by Artgrid ► https://utm.io/umJy
Music by Soundstripe ► http://bit.ly/2IXwomF
Music by MusicBed ► http://bit.ly/2Fnz9Zq

─────────────────────

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What is Characterization — the process of creating and building characters explained, including the two main types indirect and direct characterization with examples in film.

What is a Characterization? ►► https://bit.ly/wi-ch
StudioBinder Blog ►► http://bit.ly/sb-bl

─────────────────────

Chapters:
00:00 - Introduction to Characterization
00:44 - Characterization Definition
02:02 - Chapter 1: Direct Characterization
07:03 - Chapter 2: Indirect Characterization
12:37 - Chapter 3: Characterization in Casablanca
15:57 - Takeaways

─────────────────────

CHARACTERIZATION EXPLAINED

When authors and screenwriters create characters, they do so through a process called characterization. This generally involves providing information to the reader or viewer that builds these characters one layer at a time. By the end of the story, ideally, you would have a fully-formed character inside and out. When done right, the audience receives all this information without realizing it. In this video, we will uncover the two main characterization methods and their importance in creating dimensional, interesting, and engaging characters.

WHAT IS CHARACTERIZATION

Characterization is how writers present and describe their characters. Think about this — the task is to make the audience believe that the character is “real,” at least enough to empathize and engage with them. The audience must understand who these characters are based on how they look, what they say, how they act, where they live, what they wear, etc. A writer could just list off all of this information, but it’s usually more powerful for the audience to do their own assessment. Let’s look at the two main types of characterization.

DIRECT CHARACTERIZATION

In literature, direct characterization is how the author describes the character. In film, unless there is a narrator providing the same information, direct characterization is what we can observe about a character. For example, their appearance. A lot can be communicated immediately through the wardrobe, physicality, and hair/make-up. We can also intuit much about them from their settings, like their homes, car, or how they blend in (or not) with their environment. This is the more objective characterization technique.

INDIRECT CHARACTERIZATION

The other main type is indirect characterization, which is what we can discern about a character through their behavior, actions, and dialogue. As you’ve heard, actions speak louder than words, and it is up to the audience to decipher these actions to complete the characterization. As Robert McKee notes, “The revelation of true character in contrast or contradiction to characterization is fundamental to all fine storytelling.”
Indirect and direct characterization can yield a character we believe in and root for.


#FilmTheory #VideoEssay #Filmmaking

─────────────────────

♬ SONGS USED:

"Pelicans" - Jimit
"A Battle in the East" - Rhythm Scott
"1986" - Angel Salazar
"In Love with Emi" - Fabien Fustinoni
"Double Espresso" - Francesco D'Andrea
"Merge" - Theatre of Delays
"Secret Weapon" - Evgeny Bardyuzha
"Main Title" - Angelo Badalamenti
"Perfect Day (Chris Lord Alge Mix)" - Hoku
"Theme for The Irishman" - Robbie Robertson
"Apartment #604" - Howard Shore
"Off to Work" - Michael Giacchino
"The Fall" - Hans Zimmer
"Dojo Tradition (Instrumental)" - In This World
"Yes I Am (Instrumental)" - Zach Sorgen
"Captain America Main Titles" - Alan Silvestri
"Future Markets" - Jonny Greenwood
"Dark Blood" - Jimmy Svensson
"Cantina Band" - John Williams
"The Throne Room and End Title" - John Williams
"Hand Covers Bruise" - Trent Reznor, Atticus Ross
"Prologue: One Ring to Rule Them All" - Howard Shore
"A Moon Walk (Instrumental)" - Yehezkel Raz
"Medley (Laszlo / As Time Goes By / Orders / Die Wacht Am Rhein / Motor / Ilsa Returns / Telephone / Deutschland Über Alles / La Marseillaise / Plane)" - Max Steiner
"Medley (Paris Montage)" - Max Steiner
"Medley (At La Belle Aurore)" - Max Steiner
"Medley (It Had to Be You / Shine)" - Dooley Wilson
"A Glowing Light, a Promise" - Makeup And Vanity Set
"State Lines (Instrumental)" - Aaron Kellim

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─────────────────────

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Dennis Spurling is another shady lawyer trying to take advantage of black man's pain and trauma.

You join Stream Yard. Here is my referral link
Want to create live streams like this? Check out StreamYard: https://streamyard.com/pal/5461572468342784

This was one of the best conversations of the 2020. Mr. Obsidian Mumia Ali s brilliant Social Scientist who is ahead of his time as to what ails the Black American Community. While Mr. Kevin Samuels is the elite of the elite and is already passed ready for to host his own major network talk show. I enjoyed the honest and poignant conversation and so to will those of you who bask in the glory of truth. Dennis D. Spurling

Dennis, Dennis Spurling, Dennis Spurling Attorney, Dennis Spurling Unfiltered, Dennis Spurling Episode, pookie, angry black woman, manosphere, Dennis Spurling Music, divestor, roast network, Kevin Samuels, ghetto boys, fox news, MSNBC, CNN, CBS,

Most Black American attempt to Categorize them selves as Either alpha males or beta males. However neither of these classifications adequately reflect the status of these particular group of men. In fact more likely than not the Matriarchal domineering conditions have that raised and their response or rebellion to that authority have created a grouping of Sigma Black Males.
Independent And without need for female validation or a particular social structure. Unlike alpha males Sigma males don’t need the group. Moreover unlike beta males Sigma males Or not followers and not subservient. In effect they are the Longwharf of society exhibiting both alpha male traits but also willing to contribute to the accomplishment of group goals, but I’m willing to relinquish their freedom and self determination.

Today we will examine the phenomenon of the Black Sigma male.

I never heard the term "Educated lame" until I came online, and it wasn't the women saying the term. It was men describing themselves, and it was odd to me cause I've never heard men talk from a position of weakness at that level.
Then I heard the term "Non-select", and I was stunned! It was more black men talking from a position of weakness!
Then everything came full circle when I heard the black manosphere panels, and I was extremely disappointed.
I was expecting to hear empowerment and personal development, but instead I heard defeated language and name calling towards anyone that disagreed with their position.
And now my world is colliding with an individual that represents many of those ideas coming out the black manosphere echo chamber.
My world is colliding with a "professional" man. A man that has brand loyalty and a good credit score when it comes to speaking on the behalf of black men.
I'm just a pookie "SIGH" lol
Maybe my world isn't ready to collide with his ,,,,, @DennisSpurling

"YEA IGHT"

#blackmanosphere #dennisspurling #blackmen #personaldevelopment #mindset


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