Top videos

Tropes Explained — Types of Tropes & the Art of Subverting Them

Isiko Muhammad El
0 Views · 1 year ago

Film Tropes Explained — storytelling tropes often get a bad rap, but they can be quite useful. This video explores the most common movie tropes, why they work, and how to be creative with them.

What are Tropes? ►► https://bit.ly/cl-gt
StudioBinder Blog ►► http://bit.ly/sb-bl

─────────────────────

Chapters:
00:00 - Introduction to Film Tropes
01:01 - Spoilers
01:17 - Trope Definition & History
02:07 - Chapter 1: Character Tropes
08:36 - Chapter 2: Plot Tropes
14:55 - Chapter 3: Tropes in Dialogue
20:12 - Chapter 4: Cinematic Imagery
24:18 - Takeaways

─────────────────────

FILM TROPES EXPLAINED

One of the most pervasive complaints about movies is that they all seem the same. The repetitions we point to are called tropes, which have since been considered negative. But there is a reason why film tropes exist and why they work. In this video, we want to dispel the notion that film tropes are always bad and never good. We will also provide some creative solutions to achieve the best of both worlds — familiarity, and freshness.

WHAT ARE TROPES

From the original literary definition, a trope is the use of figurative language. But the more common understanding these days is that tropes are anything that recurs in a story, often to the point of overuse. Film tropes can be found in character types, plot points, dialogue, and imagery.

CHARACTER FILM TROPES

Characters can easily become tropes. The Mad Scientist, the Bully, the Damsel in Distress — by name alone, these are recognizable character film tropes. When writers include these character tropes in their work, there is shorthand with the audience. But without tweaking those expectations in some way, the audience will notice.

PLOT FILM TROPES

Like characters, we can point to a number of recurring plot points, which are often genre-specific. Love triangles, dreams, the heroic sacrifice are just a few examples of plot tropes we’ve seen a thousand times. But, again, instead of rejecting these movie tropes outright, writers can embrace them as opportunities to challenge our expectations to create something new.

DIALOGUE FILM TROPES

Dialogue, too, is a common source of film tropes. How often have you heard lines like, “I’ve got a bad feeling about this” or “Don’t you die on me”? Because these lines are so overused, they can be repurposed for comedy instead of drama.

IMAGERY FILM TROPES

Locations, like abandoned warehouses or idyllic suburbs, can be tropes. Walking away from an explosion is a recent trope, as is the overhead crane shot as someone dies. The imagery itself is familiar, which can be an economical way to communicate an idea, but audiences still require something more.

Film tropes are ever-present but also always evolving. The idea is to embrace what makes these tropes work and find a way to make them work again with slightly new or different elements.

#FilmTheory #VideoEssay #Filmmaking

─────────────────────

♬ SONGS USED:

“Oops!...I Did It Again” by Britney Spears
“The Path” by Gustavo Santaolalla
“A Neverending Beam Of Light” by Makeup and Vanity Set
“Binary Sunset” by John Williams
“Aegis” by Makeup and Vanity Set
“Simba” by Les Baxter
“Dojo Tradition” by In This World
“Unloved” by Sigh
“Nicaragua” by Jerry Goldsmith
“I Heard Ramona Sing” by Frank Black
“What Is Fight Club” by The Dust Brothers
“Previous on Jump Street" by Mark Mothersbaugh
“Escape From New York Them” by John Carpenter
“The Gambler” by Kenny Rogers
“Los Paramos” by Makeup and Vanity Set
“Baba ORiley” by The Who
“Off You” by The Breeders
“Tannhäuser Gate” by Makeup and Vanity Set
“Blue Velvet” by Lana Del Rey
“Mary Had A Little Lamb” by Stevie Ray Vaughan
“Arachnoventure” by Michael Giacchino
“The Wanderer” by Makeup and Vanity Set
“Hello Vietnam” by Johnny Wright
“Go” by Makeup and Vanity Set
“Hold On” by Makeup and Vanity Set

Music by Artlist ► https://utm.io/umJx
Music by Artgrid ► https://utm.io/umJy
Music by Soundstripe ► http://bit.ly/2IXwomF
Music by MusicBed ► http://bit.ly/2Fnz9Zq

─────────────────────

SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0

Looking for a production management solution for your film? Try StudioBinder for FREE today: https://studiobinder.com/pricing

— Join us on Social Media! —

Instagram ►► https://www.instagram.com/studiobinder
Facebook ►► https://www.facebook.com/studiobinderapp
Twitter ►► https://www.twitter.com/studiobinder

Anatomy of a Screenplay — Movie Script Format Explained (And Why It Matters)

Isiko Muhammad El
0 Views · 1 year ago

The Anatomy of a Screenplay — the ultimate guide to screenplay format, the elements of a film script, and why these things are so important in the filmmaking process.

What is a Screenplay? ►► https://bit.ly/wi-sp
StudioBinder Blog ►► http://bit.ly/sb-bl

─────────────────────

Chapters:
00:00 - Introduction to Screenplay Formatting
01:00 - History of the Screenplay
03:32 - Chapter 1: Screenplay Elements
11:31 - Chapter 2: Formatting
16:45 - Chapter 3: Creative Applications
21:24 - Takeaways

─────────────────────

THE ANATOMY OF A SCREENPLAY

The screenplay is a medium every knows but there is a lot more going on in this form than people realize. In this video, we’re going to look at the history of the screenplay, movie script format and why it’s important, and some creative exceptions that push the artform forward.

ELEMENTS OF A FILM SCRIPT

There are six basic elements in the anatomy of a film script and their format and function is 99% consistent from script to script. These include the scene heading, action/description, character, dialogue, parentheticals, and transitions. Scene headings denote the location and time of day a scene takes place, as well as whether it is an interior or exterior scene. The action/description provides all the non-dialogue storytelling — introducing characters, describing the action from beat to beat, etc. Character cues mark a specific character’s dialogue, which can be augmented with parentheticals for more direction on the delivery of the dialogue. And finally, transitions can be included to mark the definition switch between scenes, especially if that switch contains relevant storytelling material.

THE PURPOSE OF MOVIE SCRIPT FORMAT

The reason why movie script format is so uniform goes back to the days when making movies was more like a factory assembly line. This allows ADs and producers to accurately estimate critical information like budget and schedule. On average, each page of properly formatted script equals a minute of screentime. That page is then divided into 1/8ths to schedule each shooting day.

For beginning writers, it is important to follow these “rules” because the people who decide whether to buy and/or produce your script expect “professionalism” and something familiar they can recognize an assess. If you hand in a script that follows none of these rules, your chances of it being read passed page one are slim to none.

You might have the best idea for a script but unless you understand the anatomy of a screenplay and the in’s and out’s of movie script format, it might never see the light of day.

#FilmTheory #VideoEssay #Filmmaking

─────────────────────

♬ SONGS USED:

“Maple Leaf Rag” by Scott Joplin
“Main Theme (The Shining)” by Wendy Carlos and Rachel Elkind
“Seance” by Snowman
“Ægus” by Makeup and Vanity Set
“Welcome” by Justin Hurwitz
“Searching For ET” by John Williams
“Main Title (Maps to the Stars)” by Howard Shore
“Quantum IV” by Makeup and Vanity Set
“Tannhäuser Gate” by Makeup and Vanity Set
“The Alien” by Ben Salisbury & Geoff Barrow
“Imhotep” by Jerry Goldsmith
“The House That Hårga Built” - Bobby Krlic
“Main Title (Willy Wonka)” by Leslie Bricusse & Anthony Newley
“American Psycho” by John Cale
“Carson City” by Mark Mancini & Trevor Rabin
“The Secret of the Scrolls” by John Williams
“Training Montage” by Vince DiCola
“Rubber Band Man” by The Spinners
“Memory Gospel” by Moby
“Los Paramos” by Makeup and Vanity Set
“Mulholland Drive Main Theme” by Angelo Badalamenti
“Crush” by makeup and Vanity Set
“20-30” by Red Licorice
“Main Titles (Charlie and the Chocolate Factory)” by Danny Elfman
“Apogee” by Longlake
“Welcome to Jurassic Park” - John Williams
“Name of the Game” by The Crystal Method
“Bathroom Dance” by Hildur Guðnadóttir
“Drive In” by Jon Brion
“Malcolm and Martin” by The Natural Spiritual Orchestra
“Lady Bird” by Jon Brion
“Halloween Theme” by John Carpenter
“Julia” by Makeup and Vanity Set

Music by Artlist ► https://utm.io/umJx
Music by Artgrid ► https://utm.io/umJy
Music by Soundstripe ► http://bit.ly/2IXwomF
Music by MusicBed ► http://bit.ly/2Fnz9Zq

─────────────────────

SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0

Looking for a production management solution for your film? Try StudioBinder for FREE today: https://studiobinder.com/pricing

— Join us on Social Media! —

Instagram ►► https://www.instagram.com/studiobinder
Facebook ►► https://www.facebook.com/studiobinderapp
Twitter ►► https://www.twitter.com/studiobinder

Three Act Structure Explained — The Secret to Telling a Great Story

Isiko Muhammad El
0 Views · 1 year ago

Three Act Structure Explained — writer and story expert K.M. Weiland breaks down three-act structure and how it works using Jurassic Park.

What is the Three Act Structure? ►► https://bit.ly/wi-3a
Watch the Full Interview with K.M. Weiland ►► https://bit.ly/km-in
StudioBinder Blog ►► http://bit.ly/sb-bl

K.M. Weiland resources:
Helping Writers Become Authors (Blog) ►► https://bit.ly/km-bl
K.M Weilan (YouTube) ►► https://bit.ly/km-yo
Structuring Your Novel (Book) ►► https://bit.ly/km-sn
Writing Archetypal Character Arcs (New Book) ►► https://bit.ly/km-ac

─────────────────────

Chapters:
00:00 - Introduction to the Three Act Structure
00:49 - Why the Three Act Structure Matters
03:24 - Part 1: The Hook
06:18 - Part 2: Inciting Event
08:16 - Part 3: 1st Plot Point
11:16 - Part 4: 1st Pinch Point
14:36 - Part 5: Midpoint
17:45 - Part 6: 2nd Pinch Point
20:11 - Part 7: 3rd Plot Point
22:54 - Part 8: Climax
25:56 - Takeaways

─────────────────────

THREE-ACT STRUCTURE EXPLAINED

If you’re a writer, hoping to be a writer or even a casual movie-goer, you’ve probably heard of three-act structure. More than simply “beginning, middle, and end,” three-act structure is dominant in Western storytelling. And in this video, we sat down with writer and story expert K.M. Weiland as she breaks down the eight parts of three-act structure, how they work, and what they aim to accomplish. To do this, Weiland dissects one of the best-structured movies of all time — Steven Spielberg’s Jurassic Park, written by David Koepp based on a novel by Michael Crichton.

WHAT IS THREE-ACT STRUCTURE

While the concept of a three-act structure is fairly recent, stories have followed this pattern for centuries. Act One introduces us to the characters, their world, and the major conflict. Act Two sees the characters set out to resolve that conflict and attain whatever goals were established in the previous act. Act Three contains the final test or confrontation that will decide the outcome of this pursuit with either success, failure, or something in between. In a nutshell, this is the structure that most stories, novels, films, TV shows, or any other narrative medium follow.

DOES THREE-ACT STRUCTURE WORK?

Yes, it does, but not for every story. Shakespeare often constructed his plays in five acts. The three-act structure is ubiquitous in Western storytelling and, therefore, has, in some circles, garnered a negative reputation as being creatively restrictive. But as Weiland explains, story structure of any kind doesn’t preclude creativity — it is merely the container, and what is inside (the characters, the plot, the themes, etc.) is the real gift.

Learning three-act structure is a way to grasp the fundamentals of storytelling. That way, when bending or breaking those rules becomes necessary, it can be done without sabotaging a story’s chances of reaching and connecting with the audience.

#FilmTheory #VideoEssay #Filmmaking

─────────────────────

♬ SONGS USED:

"Fratres (Version for Cello & Piano)" - Avro Pärt
"A Battle in the East" - Rhythm Scott
"Last But Not Least (Instrumental)" - Chelsea McGough
"All Star" - ANBR
"Journey To The Island" - John Williams
"War Banner (Instrumental)" - Cody Martin
"Incident At Isla Nublar" - John Williams
"The Princess Appears" - John Williams
"Shining Star" - Earth, Wind & Fire
"The Hands Dealt" - Michael Giacchino
"Theme From Jurassic Park" - Michael Giacchino
"1986" - Angel Salazar
"Three Is Company" - Howard Shore
"Welcome To Jurassic Park" - John Williams
"British News Team" - Lance Conrad
"Glass" - Claudio Laucci
"T-Rex Rescue & Finale" - John Williams
"The Raptor Attack" - John Williams
"Crystal Clear (Instrumental)" - Tiko Tiko
"Dennis Steals The Embryo" - John Williams
"Terminal' - Stanley Gurvich
"Many Mothers" - Junkie XL
"High-Wire Stunts" - John Williams
"Merge" - Theatre of Delays
"Forrest Gump Suite" - Alan Silvestri
"State Lines (Instrumental)" - Aaron Kellim

Music by Artlist ► https://utm.io/umJx
Music by Artgrid ► https://utm.io/umJy
Music by Soundstripe ► http://bit.ly/2IXwomF
Music by MusicBed ► http://bit.ly/2Fnz9Zq

─────────────────────

SUBSCRIBE to StudioBinder’s YouTube channel! ►► http://bit.ly/2hksYO0

Looking for a production management solution for your film? Try StudioBinder for FREE today: https://studiobinder.com/pricing

— Join us on Social Media! —

Instagram ►► https://www.instagram.com/studiobinder
Facebook ►► https://www.facebook.com/studiobinderapp
Twitter ►► https://www.twitter.com/studiobinder

Loc Extentions by Naturallyisis

Isiko Muhammad El
0 Views · 1 year ago

Taking My African Ancestry DNA Test: Part One

Isiko Muhammad El
0 Views · 1 year ago

African Ancestry recently reached out and invited me to take one of their DNA tests, where they use the world's largest database of African DNA lineages to help determine your country and ethnic group of origin. I wanted to share the process of submitting the test before sending it off and getting your results.

I took the Matriclan test, which pulls from your Mother's DNA line to determine your origins. I'll have my results in about 8 weeks, so I'll report back when they come in.

UPDATE: Check out Part Two, where I reveal my results.