A BUNCH OF HORNY DEGENERATES, BRINGING CLASSY BACK

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Have you ever wondered about Color theory in Film?

You film color palette matters to the audience. It’s not only aesthetic, it also affects storytelling. This video takes you through director’s choices when it comes to colorization in their film works and how those colors get different emotional responses from the audience.

We break down color in TV, movie, and use film theory to extract meaning from specific choices. There are three components of color.

They are:

Hue - which is the color.

Saturation - the intensity of the color

Brightness - the brightness of the color

With just hue, saturation, and brightness (HSB for short) you can create a complex color scheme rather simply, and go from being just another director to a being a true visual artist.

By utilizing hue, saturation, and brightness you can precisely identify the right color create certain feelings in your audience.

Bright images often seem lively and exciting. Darker images often seem dramatic. And on it goes…

But rules were made to be broken.

What are some of your favorite moments of color in media and entertainment?

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Denis Villeneuve movies are made to confuse you. At every opportunity — in the story, in the cinematography, editing, and music, Villeneuve wants to keep you guessing. Watching Denis Villeneuve movies is to be placed in an environment of uncertainty. And that’s what makes them so interesting.

In films like Enemy, Prisoners, Polytechnique, Blade Runner 2049, and Arrival, Villeneuve consistently creates awe and wonder with images and sounds we’ve never seen before. In Enemy, Adam (Jake Gyllenhaal) must confront the possibility that he is more than a single person. In Sicario, Kate (Emily Blunt) is pushed into the world of drug cartels by a tight-lipped company man (Josh Brolin) and a near-silent assassin (Benicio Del Toro). In Prisoners, Keller (Hugh Jackman) ventures into murky moral territory to find his kidnapped daughter. In Arrival, Louise (Amy Adams) and Ian (Jeremy Renner) are tasked with bridging the communication gap between beings from another dimension. In all these movies, the characters find themselves in new worlds without answers.

In this video, we’ve cracked the code on Villeneuve’s love of ambiguity and we explain how his directing style works across 7 areas of focus including sound, color, production design, and more. Villeneuve creates movies that can be enigmatic but there’s no denying that he is a film artist in complete control of his medium.

If you’re studying directing, cinematography, editing, or pursuing ANY career in filmmaking, there are a ton of lessons to be learned from Denis Villeneuve. This is the ultimate breakdown of Denis Villeneuve’s directing style.

#filmtheory #bladerunner2049 #filmmaking

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Do you want to learn the secrets of Quentin Tarantino Filmmaking? Everyone knows that Quentin Tarantino Movies generate a lot of buzz, like his new film Once Upon a Time in Hollywood. His unique filmmaking and directing style is able to attract the biggest movie stars like Brad Pitt, Margot Robbie, and Leonardo Dicaprio.

His career may have began with Reservoir Dogs, but it truly took off after the success of his second feature film, Pulp Fiction. Once the world was able to see films like Jackie Brown and then Kill Bill — It was all uphill from there. Quentin Tarantino went on to make Inglourious Basterds, Django Unchained, and The Hateful Eight. His least successful film, Death Proof, is still miles better than many other director’s best films.

In this episode of The Director’s Chair, we take Quentin Tarantino interview and quotes to build a video that explains his unique style… straight from the horse’s mouth. You’ll see how QT crafted some of the greatest moments in cinema, and learn some film theory in our video essay portion, then see some filmmaking process.

Are you excited for the new Quentin Tarantino movie? Do you want to learn from arguably the most popular film director working today? Then make sure to check out this video: The Director’s Chair on Quentin Tarantino’s Filmmaking style.

#quentintarantino #filmmaking #quentintarantinomovies #onceuponatimeinhollywood #filmmaking

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M. Night Shyamalan is a filmmaker worth studying. He’s had some misfires and spectacular flops, but when he’s good...he’s really good. In this video, we’re going to examine what makes Shyamalan movies tick and how the twist endings are just the beginning.

After one unseen indie and a harmless family film, M. Night Shyamalan broke through the pop culture stratosphere with The Sixth Sense. Then, a series of critical and popular hits like Unbreakable, Signs, and The Village. Lately, Shyamalan has been making films that mark a clear return to form — The Visit, Split and Glass remind us that the filmmaker phenom he once was still has more to say.

M. Night Shyamalan has made some amazing movies...and some real duds. Love him or hate him, there's still a lot we can learn from his work. Like any true auteur, Shyamalan has a very distinct filmmaking style and that's what we're here to explore.

This journey through Shyamalan's style will cover his entire filmography and 7 main areas of his formal technique. From his use of multi-plane storytelling, expressive music cues, fascination with colors, his tendency towards long takes, and his dynamic camera movement, we can see that strong choices are being made.

Great directors have a command of all these areas of filmmaking — and they're able to make them all work together to present a singular vision. For us, Shyamalan meets this criteria.
What's your take on Shyamalan? If you're on the fence, watch this video and give us your answer in the comments. ⁠

#mnightshyamalan #mnightshyamalanmovies #filmmaking

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Superhero Movie Tropes — A breakdown of some common movie tropes we find in the superhero genre with some options for how filmmakers can avoid the pitfalls associated with them.

What is a Superhero? ►► https://bit.ly/ta-sf
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─────────────────────

Chapters
00:00 - Intro
01:19 - Origins of the Superhero
02:47 - The Trope: Unlimited Strength
03:33 - The Antidote: Work for It
05:18 - The Antidote: No Control
07:58 - The Trope: Damage Tolerance Infinity
08:41 - The Antidote: Mental Pain
10:27 - Case Study: Thor: Ragnarok
14:22 - Wrap Up

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SUPERHERO MOVIE TROPES

Every genre has tropes and cliches they must embrace, and superhero movies no exception. But that doesn’t mean they can’t also be thoughtfully and interestingly done. In this video, we’re going to break down two of the most common tropes we find in superhero movies and how filmmakers can avoid the pitfalls associated with them.

THE TROPE — UNLIMITED STRENGTH

By definition, a superhero has abilities beyond us mere mortals. But at what point does the “all-powerful” hero become “too powerful?” Sometimes, this is due to their powers being poorly defined, so the audience is never quite sure what they can and can’t do. For example, we know Captain America is strong, but when we see him prevent a helicopter from taking off with his bare hands, it seems like a stretch. When these heroes are able to exert such power, the direct effect is an inability to suspend our disbelief (which is a requirement of fantastic movies like these).

The antidote for this trope is to show the effort it takes to pull off such feats of strength. For example, in Spider-Man 2, Peter Parker stops a runaway train. On paper, it might seem like this would be beyond his abilities, but director Sam Raimi and writer Alvin Sargent make sure we believe it. For one, they have Peter’s first plan fail — his second plan finally succeeds after a second attempt at it. There’s also the duration of the operation — it takes Peter nearly 2 minutes to stop the train. Finally, numerous close-ups of Tobey Maguire’s performance showcase the extreme strain he is experiencing.

THE TROPE — DAMAGE TOLERANCE INFINITY

Along with super strength, another one of the most common superhero movie tropes is when the heroes can’t get hurt. Granted, some heroes have healing powers while others are just super tough, but this, too, should have limits applied. If the hero can survive a nuclear bomb or have the power of a dying star blasting through them, there’s no real danger to our protagonist.

One way to combat superhero cliches like this is to create emotional pain. The hero may be impervious to physical damage, but their heart isn’t. For example, all of Dr. Manhattan’s god-like power makes him an isolated and profoundly lonely character. Another tactic is to transfer that damage to those the character cares about. Superman is bulletproof, but when he can’t save his father from a tornado, the pain pierces right through him.

We all like superheroes and their spectacular abilities. They are the perfect subjects to deliver the big, loud, and amazing images we crave from the theatrical experience. But filmmakers should remember that keeping our suspension of disbelief is just as important.


#FilmTheory #VideoEssay #Filmmaking

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♬ SONGS USED:

“Immigrant Song” - Led Zeppelin
“My Hero” - Foo Fighters
“Spider-Man Theme” - Michael Giacchino
“Superman Main Theme” - John Williams
“The Smithsonian” - Henry Jackman
“A New Alliance” - John Williams
“Civil War” - Henry Jackman
“Tell Me Everything” - John Ottman
“Train/Appreciation” - Danny Elfman
“Can You Stop This Thing” - Danny Elfman
“Multiverse of Madness” - Danny Elfman
“The Glory Days” - Michael Giacchino
“Arrival” - Alan Silvestri
“The Last One” - Brian Tyler
“Shoot” - Salt-N-Pepa
“Something in the Way” - Nirvana
“Gotham’s Reckoning” - Hans Zimmer
“What Did It Cost” - Alan Silvestri
“How the West Was Really Won” - Trent Reznor, Atticus Ross
“Thor: Ragnarok Main Theme” - Mark Mothersbaugh
“Where am I” - Mark Mothersbaugh
“Hela vs Asgard” - Mark Mothersbaugh
“Planet Sakaar” - Mark Mothersbaugh
“What Heroes Do” - Mark Mothersbaugh
“Iron Man” - Black Sabbath
“Buffy the Vampire Slayer Theme” - Nerf Herder

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Quentin Tarantino food scenes explained — How Tarantino uses food to build character, power dynamics and create extreme tonal shifts.

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─────────────────────

Chapters:
00:00 - Introduction to Tarantino’s Food
01:02 - Food and Cinema
01:43 - Chapter 1 - Characterization
02:58 - Chapter 2 - Character Dynamics
05:35 - Chapter 3 - Tonal Shifts
11:02 - Reviewing the Techniques
11:32 - Check out the Blog

─────────────────────

Quentin Tarantino Food Scenes

Food in Quentin Tarantino movies isn’t an accident or an afterthought. Everything a character eats and drinks is a deliberate choice for one or all of the following reasons: to build characterization, to create relationships between characters, or to amplify tonal shifts. In this video, we’re going to bite into everything going on in Quentin Tarantino food scenes to see if we can come up with a recipe for how he uses this motif.

Food scenes in movies are a dime a dozen but the actual food and drinks are typically treated as set dressing, or as busy work for the actors while the dialogue drives the scenes. Food in Quentin Tarantino movies also functions this way but that’s just the beginning. We learn a little more about these characters by their preferred food and drink. Think of Jules’ aversion to pork in Pulp Fiction or how much Ordell from Jackie Brown loves screwdrivers. These small details help make Tarantino’s characters more specific and interesting.

Another way we see food in Quentin Tarantino movies is how it is used to create or enhance the relationships between characters. Sometimes, this is a romantic relationship — like Clarence and Alabama in True Romance having pie. But more often than not, Quentin Tarantino food scenes become a stage for power dynamics to play out. Hans Landa uses the opulence of strudel with creme as a form of control over Shoshanna. Pai Mei rewards his tutee with rice only after Beatrix struggles and succeeds with the chopsticks. And, of course, Jules taking a huge bite out of Brett’s Big Kahuna Burger is the ultimate power move.

The final way we see food in Quentin Tarantino movies is even more unique and specific. And that is to create maximum contrast between food and violence. As Tarantino admits in an interview, he relishes playing the audience like an orchestra and shifting tones on a dime. Sometimes this is done with humor but he also employs food and drink for the same purpose. One minute, the characters are enjoying an indulgent meal, and the next minute they find themselves in a bloodbath. By mixing the pleasures of food with the pain of violence, Tarantino creates extreme contrast, subverts expectations, and gives the audience his one-of-a-kind cinematic experience. This is the power of Quentin Tarantino food scenes.


#FilmTheory #VideoEssay #Filmmaking

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VIDEO EDITOR: BRANDON SCULLION
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♬ SONGS USED:

“Don’t Let Me Be Misunderstood” - Santa Esmeralda
“Let’s Stay Together” - Al Green
“Twisted Nerve” - Bernard Herman
“Truck Turner Main Title” - Isaac Hayes
“La Resa dei Conti” - Ennio Morricone
“Goodnight Moon” - Shivaree
“Strawberry letter 23” - The Brothers Johnson
“Crane/White Lightning” - Charles Bernstein
“The Flower of Carnage” - Meiko Kaji
“Down In Mexico” - The Coasters
“That Certain Female” - Charlie Feathers
“Run Fay Run” - Isaac Hayes
“The Verdict (Dopo La Condanna)” - Ennio Morricone
“Staggolee” - Pacific Gas Electirc
“I’m Blue” - The 5.6.7.8’s
“Baby, It’s You” - Smith

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For those who are wondering but have been afraid to ask about long-distance relationships that span continents, this movie may serve as an example of what that's like and the opportunities available for Repats (those of us in the African Diaspora looking to return to the homelands of our Ancestors).
Fed up with their lives in America, Isiko and William look for opportunities in Africa and not only find business opportunities but they find high probabilities of qualified love there as well. DiasporaMeets.com introduces Isiko and Annie Koko from Liberia. They fall in love and it’s fast, it’s exhilarating, and most of all it feels right. Standing between them is only the Atlantic Ocean. Will Isiko overcome the anxiety of leaving the only life he’s ever known while convincing Annie Koko that she is the only woman for him? Will Annie Koko and Isiko’s love connection be powerful enough to fuel a Liberian economic renaissance? Isiko and Annie Koko risk it all for a chance at love. Like Isiko said to Annie Koko: “It’s only the Atlantic Ocean…” A Liberian Love Story...

Sisters Motsi and Oti Mabuse have always had questions about their South African roots. Watch as they begin their exciting search for long-awaited answers on DNA Journey. For more extraordinary family history discoveries, watch full episodes of DNA Journey on ITV and ITVx: https://www.itv.com/watch/dna-....journey/2a5252/2a525

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Heyyyyy!!

I took the African Ancestry Test a few years ago and I’m just now sharing my results with you guys! 🙌🏾🙌🏾

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Three Black Americans find out which tribe and people group they share genetic fingerprints with in Africa!

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Hello beautiful, peeps! In this video I compare my Ancestry DNA Results to my 23 & Me Results. Hope you enjoy!

Our first official event with our business besties Ramunda and Derrick @MahoganyBooks at @dcpubliclibrary was a huge success! We were honored to welcome a new member to the African Ancestry Family!

White House Correspondent April Ryan @adr1600, is...

🧬 The daughter of Vivian who is

🧬 The daughter of Etta who is

🧬 The daughter of Ida who is

🧬 The daughter of Larah who shares maternal genetic ancestry with the Mende people living in Sierra Leone today.

🇸🇱 🇸🇱 🇸🇱

Make sure you get your copy of Black Women Will Save The World - An Anthem. It “celebrates the tenacity, power, and impact of Black women across America”.

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My Ancestry.com DNA results with my Black American family breakdown this is an unboxing and results are at the end!

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Singer Tom Jones plans to get his DNA tested to find out if he has some black ancestry, he told The Times of London magazine in an interview published Saturday. The 75-year-old Welshman gained international fame in a career that has spanned over 50 years with hits like “It’s Not Unusual,” “What’s New Pussycat” and “She’s a Lady.” Jones, whose parents were Welsh and English, said his signature baritone voice and thick, curly hair has prompted questions about his race for years. “A lot of people still think I’m black,” Jones said.

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Exploring Asian Ancient Migrations: The Connection Between Black Africans And Early Chinese Settlers

Let's come together in reasonable dialogue to honor our ancestors and reclaim the world through an African lens. Join me as we delve into African history, culture, and worldview to better understand their relevance to our lives today. By sharing our thoughts and knowledge, we can pave the way for a new culture of awareness and reclaim our story. As the African Diaspora saying goes, "I am because we are, and we are because I am."
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Source:
1. https://www.ncbi.nlm.nih.gov/p....mc/articles/PMC33897
2. https://www.latimes.com/archiv....es/la-xpm-1998-sep-2
3. https://www.jstor.org/stable/41466410
5. https://www.downtoearth.org.in..../news/confused-roots
6. https://www.nature.com/articles/jhg200456
7. https://www.nature.com/articles/d41586-018-05696-8
8. https://www.journals.uchicago.....edu/doi/full/10.1086
9. https://www.nytimes.com/2018/0....7/11/science/hominin
10. https://www.thearchaeologist.o....rg/blog/chinas-myste
11. https://www.economist.com/scie....nce-and-technology/1
12. https://pacotaylor.medium.com/....ancient-chinese-secr

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